Vendor: PIAS / Cinram
Type: Psych / Prog
Price:
25.99
Vendor: Warner
Type: Heavy Metal / Extreme Metal / Doom
Price:
21.49
Condition: New
Label: BMG
Vendor: Universal
Type: Heavy Metal / Extreme Metal / Doom
Price:
21.49
Catalogue number: 5414939920783
Condition: New
Label: BMG
Vendor: Essential
Type: Heavy Metal / Extreme Metal / Doom
Price:
20.99
Catalogue number: SRE696LPB1
Condition: New
Label: Svart Records
Vendor: Essential
Type: Heavy Metal / Extreme Metal / Doom
Price:
28.99
Condition: New
Label: Reigning Phoenix Music
Vendor: Cargo
Type: Heavy Metal / Extreme Metal / Doom
Price:
27.49
Pre-order. Due 17th May.
Lavendar eco mix vinyl.
Chelsea Wolfe’s highly anticipated 7th full length. Chelsea Wolfe has always been a conduit for a powerful energy, and while she has demonstrated a capacity to channel that somber beauty into a variety of forms, her gift as a songwriter is never more apparent than when she strips her songs down to a few key components. As a result, her solemn majesty and ominous elegance are more potent than ever on Birth of Violence.
There is a core element to Chelsea Wolfe’s music—a kind of urgent spin on America’s desolation blues—that’s existed throughout the entirety of her career. At the center, there has always been Wolfe’s woeful longing and beguiling gravity, though the framework for compositions has continuously evolved based on whatever resources were available. Her austere beginnings were gradually bolstered by electronics and filled out with full-band arrangements. The music became increasingly dense and more centered around live performances. Her latest album, Birth of Violence, is a return to the reclusive nature of her earlier recordings
“I’ve been in a state of constant motion for the past eight years or so; touring, moving, playing new stages, exploring new places and meeting new people—an incredible time of learning and growing as a musician and performer,” Wolfe says of the era leading up to Birth of Violence. “But after awhile, I was beginning to lose a part of myself. I needed to take some time away from the road to get my head straight, to learn to take better care of myself, and to write and record as much as I can while I have ‘Mercury in my hands,’ as a wise friend put it.“ Birth of Violence is the result of this step out of the limelight. The songs stem from humble beginnings—little more than Wolfe’s voice and her Taylor acoustic guitar. Her longtime musical collaborator Ben Chisholm recorded the songs on a makeshift studio and helped fill them out with his modern production treatments and the occasional auxiliary flourish from ongoing contributors Jess Gowrie (drums) and Ezra Buchla (viola).
The album opens with The Mother Road, a harrowing ode to Route 66 that immediately addresses Wolfe’s metaphoric white line fever. It explains the nature of the record—the impact of countless miles and perpetual exhaustion—and the desire to find the road back home, back to one’s roots. Songs like Deranged for Rock and Roll and Highway offers parallel examinations on the trials and tribulations of her journeys while the ghostly When Anger Turns to Honey serves as a rebuttal to self-appointed judges.
While the record touches upon tradition, it also exists in the present, addressing modern tragedies such as school shootings in the minor-key lullaby Little Grave and the poisoning of the planet on the dark wind-swept ballad Erde. But the record is at its most poignant when Wolfe withdraws into her own world of enigmatic and elusive autobiography. Much like Alan Ginsberg’s hallucinatory long-form poem Howl, the tracks Dirt Universe and Birth of Violence weave together specific references from her past into an esoteric overview of the state of mankind. Though the lyrical minutiae remain secret, the overall power of the language and delivery is bound to haunt the listener with both its grace and tension.
“These songs came to me in a whirlwind and I knew I needed to record them soon, and also really needed a break from the road,” Wolfe says. “I’ve spent the past few years looking for the feeling of home; looking for places that felt like home. The result of that humble approach yields Wolfe’s most devastating work to date.
Catalogue number: SH217LPLE
Condition: New
Label: Sargent House
Vendor: Warner
Type: Heavy Metal / Extreme Metal / Doom
Price:
29.99
Limited silver vinyl.
Released in 1985, the band’s second album had an ominous pall of doom and gloom, enmeshed in a sound both primitive yet also Wagnerian in its vast scope. Many claim this was a massive inspiration for black metal bands later in the decade. In truth, though, none matched what was here. This release includes the ‘Emperor’s Return’ EP as well as a remix of Visual Aggression, and the concept and art direction of the release was done by the man behind Celtic Frost, Tom G. Warrior. Includes new sleeve notes and the 180 gram heavyweight LPs are housed in a double-gatefold.
Condition: New
Label: Noise Records
Vendor: Essential
Type: Heavy Metal / Extreme Metal / Doom
Price:
28.99
Soundway presents a collection of 18 burger highlife, electronic Afrobeat and reggae tracks, gatefold 3LP includes extended liner notes, original covers and never-before-seen photos. Features rarities from legends including Pat Thomas, Rex Gyamf and Gyedu-Blay Ambolley and deep cuts from lesser known artists like Abdul Raheem, Starlite and The Godfathers.
Highlighting a time when the burgeoning Ghanaian diaspora across Europe and North America was utilising new music technology and recording techniques. A period of movement, emigration and innovation.
The dawn of the 80s saw an increase in emigration following a period of political upheaval at home, with many Ghanaians moving to Europe - especially Germany - to find work. Musicians recording both at home and abroad began to blend highlife with outside influences, taking inspiration from US disco and boogie, European new wave and Caribbean zouk and soca, reflecting new surroundings and cementing musical connections forged in London, Hamburg, Toronto and New York.
Ghana Special celebrates this key period of musical innovation and cultural exchange that redefined the parameters of Ghanaian music and accelerated the cultural exchange between West Africa and Europe.
Catalogue number: SNDWLP148
Condition: New
Label: Soundway
Vendor: Sony
Type: Heavy Metal / Extreme Metal / Doom
Price:
24.99
Pre-order. Due 24th May.
Red coloured vinyl.
Second album from While She Sleeps.
Condition: New
Label: Sony
Vendor: Essential
Type: Heavy Metal / Extreme Metal / Doom
Price:
18.99
Catalogue number: RR64641
Condition: New
Label: Relapse
Vendor: Essential
Type: Heavy Metal / Extreme Metal / Doom
Price:
18.99
Catalogue number: RR65661
Condition: New
Label: Relapse
Vendor: Essential
Type: Heavy Metal / Extreme Metal / Doom
Price:
28.99
Catalogue number: DW244V
Condition: New
Label: Deathwish
Vendor: Essential
Type: Heavy Metal / Extreme Metal / Doom
Price:
18.99
Catalogue number: RR52951
Condition: New
Label: Relapse
Vendor: Essential
Type: Heavy Metal / Extreme Metal / Doom
Price:
18.99
Catalogue number: RR52971
Condition: New
Label: Relapse
Vendor: ROM
Type: Heavy Metal / Extreme Metal / Doom
Price:
24.99
Clean Hands Go Foul (2009) generously offers more of everything: voluminous drones, clashing dissonance, mysterious subharmonic swells, escalating terror, and environments drenched in heavy anticipatory dread. The final hour of the band’s first decade sees Khanate, as always, making “music that, even in the realm of extreme music, is dark and distorted” (Pitchfork). Clean Hands Go Foul would be followed by the ultimate minimalism, as the Khanate entity sat shrouded in silence until the release of 2023’s To Be Cruel.
Catalogue number: SBR3046LPC3
Condition: New
Label: Sacred Bones
Vendor: ROM
Type: Heavy Metal / Extreme Metal / Doom
Price:
24.99
Largely recognized as their breakthrough album, Khanate was confident enough by the two-song, forty-minute Capture and Release (2005) to peel back its layers of thick mossy droneand reveal the minimalist underpinnings, a change either interpreted as maturity or an implied threat. “It’s a grim, avant-garde exercise in tension and paranoia. Dense, leaden drones fill up the spaces between O’Malley’s sparse, deeply sustained guitar chords. Vocalist Alan Dubin’s anguished vocals seem to convey the tortures of the damned as if there were not a shred of hope left for existence in this world. Capture & Release is not dissimilar to black metal in how it so violently conveys such a bleak and ultra-nihilistic world outlook. But while the standard tempo on a black metal album typically strays into the triple digits in terms of beats per minute, Khanate’s plodding pace keeps the BPM soundly within the singledigit range.” (Tiny Mix Tapes).
Catalogue number: SBR3045LPC3
Condition: New
Label: Sacred Bones
Vendor: Warner
Type: Heavy Metal / Extreme Metal / Doom
Price:
23.99
Condition: New
Label: Roadrunner
Vendor: Cargo
Type: Heavy Metal / Extreme Metal / Doom
Price:
15.99
In the summer of 2019, a newly formed, Oklahoma Citybased rock band called Chat Pile would release its debut four-track EP, This Dungeon Earth. Little did anyone know at the time, but this initial taste of grotesque, confronting, and visceral noise rock courtesy of four slacker Okies would kick off the story of what would soon be one of the most widely lauded underground acts in years. Like the towering mounds of toxic waste from which it gets its namesake, Chat Pile’s body of work is emblematic of a distinctly midwestern flavor of American dread, with This Dungeon Earth being no exception to the rule. While raw in presentation, Chat Pile’s debut EP comes across as anything but a rough draft. Much of the band’s hallmark traits, spanning the unhinged vocals of frontman Raygun Busch, the grotesquely contorted guitar riffage, and the industrial smack of heavily processed percussion, appear as far back as this earliest chapter. If anything, the raw, DIY-rooted origins of these uncompromising thirteen minutes of sludged-out carnage make This Dungeon Earth all the more impactful. Between its biting social commentary and gratuitous grindhouse insanity, the unfiltered brutality of Chat Pile’s debut recording has seen tracks like “Rainbow Meat”, “Face”, and “Ratboy” become mainstays in its notorious live shows. Although it depicts the band’s monstrous amalgamation of noise rock, sludge metal, hardcore, and more as it is just beginning to congeal, This Dungeon Earth comes off as the furthest thing from a simple intro and more of an essential first chapter in Chat Pile’s story.
Condition: New
Label: Flenser
Vendor: Cargo
Type: Heavy Metal / Extreme Metal / Doom
Price:
15.99
Released only a handful of months following the band’s breakthrough debut EP, Remove Your Skin Please signaled that whatever Chat Pile was doing wasn't just a one-off novelty of Midwest metal nihilism. While the band’s foundational sound of caustic and cacophonous noise rock crystallized with its debut, the release of Remove Your Skin Please signposted the vast extent to which Chat Pile could stylistically tinker and conceptually iterate atop it. Heard in the gothy post-punk dirge of “Mask” and the dissonant extreme metal fervor of “Davis'', the more experimental ideas present on Remove Your Skin Please come off less like a selection of the band’s conceptual prototypes and more like fully realized reflections of its member's own tastes and preferences. That doesn’t mean Chat Pile’s noise rock foundation is diluted in the slightest as EP bookends “Dallas Beltway” and “Garbage Man” push its twisted take on the genre to new aural extremes in its instrumentation and subject matter spanning grisly serial murders to the slow festering death of the environment at the hands of mankind. For as ugly and unhinged as Chat Pile’s tales of 21st-century American dread are, Remove Your Skin Please asserts something that is somehow subtly even more terrifying: If a quartet of otherwise ordinary Okies can convey such apocalyptically bleak yet resonate messages in its music, that may mean we feel that same nihilism, too.
Condition: New
Label: Flenser
Vendor: SRD
Type: Heavy Metal / Extreme Metal / Doom
Price:
23.49
Catalogue number: NR130LP
Condition: New
Label: Neurot
Vendor: Essential
Type: Heavy Metal / Extreme Metal / Doom
Price:
18.99
Electric blue vinyl.
Catalogue number: RR75601
Condition: New
Label: Relapse
Vendor: Essential
Type: Heavy Metal / Extreme Metal / Doom
Price:
31.49
Gold vinyl.
Catalogue number: 2000110102
Condition: New
Label: Reigning Phoenix Music
Vendor: Essential
Type: Heavy Metal / Extreme Metal / Doom
Price:
18.99
Clear with splatter vinyl.
Catalogue number: CLCR130V
Condition: New
Label: Closed Casket Activities
Vendor: Warner
Type: Heavy Metal / Extreme Metal / Doom
Price:
31.49
Green vinyl.
British doom / death metal legends My Dying Bride unfurl their 15th album, A Mortal Binding, via Nuclear Blast. The much-anticipated follow-up to The Ghost of Orion (2019) finds the Yorkshire-based quintet—featuring a revamped lineup of now-permanent guitarist Neil Blanchett and the return of drummer Dan Mullins—delighting in anxiety, loss, and toil to resplendent effect.
From the raw distress of “Her Dominion” and twisted horror of “Thornwyck Hymn” to the funerary violins of the 11-minute monolith “The Apocalyptist” and the classic-feeling “The 2nd of Three Bells,” A Mortal Binding is signature My Dying Bride. If Songs of Darkness, Words of Light (2004) elevated the group to new heights and A Map of All Our Failures (2012) expanded upon their mid-tens grandeur, then A Mortal Binding stages My Dying Bride’s next exultant phase of elegiac misery perfectly.
Catalogue number: 4065629713218
Condition: New
Label: Nuclear Blast
Vendor: Essential
Type: Heavy Metal / Extreme Metal / Doom
Price:
22.99
Catalogue number: 160861
Condition: New
Label: Metal Blade